Veronica Chan Ching-yee worked mostly as producer but had directed one film, the stylized romantic thriller A Taste of Killing and Romance (1994), starring Andy Lau and Anita Yuen.

1994 《殺手的童話》 A Taste of Killing and Romance

Chan Chuen learned martial arts from Lau Cham, student of the legendary Lam Sai-wing, himself a pupil of the legendary master Wong Fei-hung. In the 1960s, Chan joined the martial arts troupe of famed director-choreographer Lau Kar-leung, Lau Cham's son. He later moved on to action choreographer and had directed a number of films, most of them action movies for which he also choreographed.

1979 《老鼠拉龜》 Kung Fu Vs. Yoga
1980 《雙辣》 Two Fists Against the Law
1981 《執法者》(台灣片名:《警網雙雄》) The Executor
1982 《衝激.21》 Energetic 21
1983 《龍騰虎躍》 Fearless Hyena Part
1985 《老友鬼鬼》(台灣片名:《瘋狂三寶》) Friendly Ghost
1989 《省港雙雄》 Chinese Cop Out
1999 《浪盗江湖》 It Takes a Thief

1992 《風流家族》 The Pearl of Oriental

Chan Siu-cheung worked at ATV and TVB as screenwriter. He had also worked in film, scripting 14 Blades (2010) and White Vengeance (2011) as well as directing the ghost film Ninth of September, the Cursed Day (1996), which he also wrote.

1996 《九月初九新娘澤》 Ninth of September, the Cursed Day

Chan Tat-nin served as producer and cinematographer on Cable TV's long- running documentary series The Unbelievable. He had adapted the series into the feature film The Unbelievable (2009), followed by the sequels The Unbelievable 2: Channeling the Spirits (2012) and The Skeleton Road (2014).

2009 《怪談》(紀錄片) The Unbelievable (Documentary)
2012 《怪談電影:撩鬼》(紀錄片) The Unbelievable 2 : Channeling the Spirits (Documentary)

1992 《赤裸迷情》 The Tangles Love

Bill Chan Wing-biu entered the film industry in the 1980s and had worked as assistant director, art director, producer and on costumes. After directing the action thriller Money Laundry (2000), he joined ATV as director.

2000 《借黑錢》(又名:《黑金之王》) Money Laundry

Chang Bing-chan entered the film industry as martial arts stuntman and actor in the late 1970s.He became action coordinator in the late 1980s and made his directorial debut with Drugs Area (1991), starring Sibelle Hu. He made his sophomore effort in 2000 with X-Cop Girls, starring Anthony Wong and Carrie Ng. He left the industry after 2007.

1991 《毒網》 Drugs Area
2000 《女飛虎》 X-Cop Girls

1993《性劫蘭桂坊》Lan Kwai Fong Swingers

1973 《愛的遊戲》 Games of Love
1974 《七情六慾》 The 76 Humors.
1976 《鬼馬世界》 The 76 Humors II
1979 《滿宮春》 Spring in the Palace
1980 《Disco 性狂熱》 Disco Sex Fever

Andrew Chen started working in animation in 1985. He joined director Tsui Hark's Cinefex Workshop in 1995, directing the highly regarded animation feature A Chinese Ghost Story-The Tsui Hark Animation (1997) while also serving as art director. The film won the Best Animated Feature prize at Taiwan's Golden Horse Awards and was named Film of Merit by the Hong Kong Film Critics Society. In 1999, Chan entered Centro Digital Pictures in 1999 and in 2001, established Jin Mei Cartoon in Shenzhen, China, specializing in animation for commercials.

1997 《小倩》 A Chinese Ghost Story-The Tsui Hark Animation

1992 《香港姦殺奇案》 Suburb Murder
1993 《夢情人》 Hong Kong Eva
1993 《貼身情人》 Body Lover

1988 《花心野玫瑰》 Bed Companion

Tommy Chin Ming-cheung had worked on RTHK's cherished series Below the Lion Rock. In the early 1980s, he directed and wrote the horror film The Devil's Box (1983), which was not released until 1994 because Verdull, the film's production company, went out of business.

1983 《鬼戰》 The Devil's Box

Chiu Lo-kong had worked as assistant director since the 1960s, for such companies as Shaw Brothers, Golden Harvest and Lo Wei Motion Picture. Over a dozen of the films he worked on either starred or were directed by the action star Jackie Chan. Chiu had directed two films, the fantasy action flick The Buddhist Spell (1993) and the martial arts film iron Monkey 2 (1996).

1993 《菩提幽魂》 The Buddhist Spell
1996 《街頭殺手》 Iron Monkey 2

1999 《還我情心》 My Heart Will Go On

1985 《猛鬼迫人》 Dead Curse

1991 《轟天龍》 Fury in Red
2000 《老薹》 Outburst

1984 《黐鬼線》 Mixed Up

Chow Wah-yu had worked as producer and director at ATV and TVB, responsible for such ATV series as The Rise of the Great Wall - Emperor Qin Shi Huang (1986) and The Rise and Fall of Qing Dynasty ii (1988) as well as over a dozen TVB programs. He had also taken time off from television to direct two films.

1991 《喋血邊緣》 The Real Me
2004 《古惑仔之天地無盟:人在江湖》 Drng Baron

2000《兩隻衰鬼晤識死》Two Courageous Ghosts

1988 《神功搜秘錄》(紀錄片) Spiritual Martial (Documentary)

Paul Chung Shing-yuen worked as a scriptwriter, penning the screenplays for Herman Yau's Nightmares in Precinct 7 (2001), Billy Chan's Partners (2001), Billy Chung's Shiver (2003) and Sam Leong's Explosive City (2004). He is the director of one film, the mahjong-themed thriller Bet to Basics (2006).

2006 《打雀英雄傳》 Bet to Basic

1993 《處女夜記》 My Virgin

1992 《舢舨 92》 Love on Sampan

Fan Kung-ming worked as an editor for over 20 years, starting in the 1970s. His older brother Fan Kung-wing is also a longtime editor. Fan also ventured into producing in the 1990s, during which he directed the film Love is Over (1993).

1993 《三劍俠與飛機妹》 Love is Over

1997 《完全摧花手冊》 Killing Me Hardly

1997 《武狀元鐵橋三》 Sam the Iron Bridge - Champion of Martial Arts

1995 《強烈慾火時代》 One Man and Two Women

1987 《城市麗人》 City Girl
1990 《致命的誘惑》 Fatal Passion

Ho Fan is director of the erotic film Yu Pui Tsuen (1986), starring Paul Che. He shares the same English name with another director who is also known for making erotic films and who had made another film also titled Yu Pui Tsuen (1987).

1986 《玉蒲團》 Yu Pui Tsuen

1981 《兵兵賊賊》 The Bomb-Shell

Ho Ming had directed one film, the erotic thriller Rapist Factory (1995). He worked in the late 1950s as camera assistant and sound assistant, moving on to cinematographer in the early 1970s, responsible for such films as the Cinema City projects Laughing Time (1980), Chasing Girls (1981) and Aces Go Places (1982). He had also lensed Yu Pui Tsuen (1987) and Erotic Nights (1989), both directed by Ho Fan, whose work was marked by beautifully photographed eroticism.

1995 《色魔工廠》 Rapist Factory

1993 《擋不住的瘋情》 Don't Stop My Crazy Love for You

1997 《豪情夜生活》 Hong Kong Night Guide

Ka Ka (aka Amy and Ga Ga) had been credited as director in a number of films in the 1990s and 2000s and also as producer, writer and actor in a number of projects.

1992 《她來自胡志明市》 Vietnamese Lady
1997 《忽然丈夫》 Tough Guy
1998 《鬼骨場》 Hong Kong X-File
1998 《凶宅胭脂》 Beauty of the Haunted House
1998 《過山車》 Life Express
1999 《我老豆晤係人》 Oh! My Dad!
1999 《大宋艷情史》 Romance & Sex of Sung Dynasty
2001 《絕機》 Jyut Kei

Philip Kam Chi-fai was a director at TVB when he directed the feature film Crazy Boy and Pop-eye (1979). He later was promoted to producer at the television station, best noted for the series The Seasons (1987-1989).

1979 《戆居仔與牛咁眼》 Crazy Boy and Pop-eye

1999 《難年大姦情》 Devil Sex Love

Kenny Kan Kai-man, in addition to directing Foolish 23 (2003), had also written several scripts, among them the Tsui Hark-directed segment of the omnibus film Triangle (2007).

2003 《懵伯》 Foolish 23

Frankie Keung Chi-ming is a cinematographer whose work includes Follow the Star (1978), directed by John Woo, and Tower of Death (1981), directed by Ng See-yuen. He has two directorial credits to his name, Without a Promised Land (1980), which he co-directed with Tung Lo and co-wrote the script with Ng, and Pandaland (1981). The earlier film, produced by Ng's Seasonal Film and a story about Vietnamese refugees, was banned in Hong Kong for the reason of endangering relationship with neighboring countries.

1980 《越戰僅存者》(臺灣片名:《殺戮旗兵》)(聯合導演:童踣) Without a Promised Land(Co-Director: Tung Lo)
1981 《我和小熊貓歷險記》(又名:《遙遠的路》) Pandaland

Ko Kam-tong is the director of the comedy Little Man Little Affair (1989). He also served as executive director on Yuen Cheung-yan's Live Hard (1989), as executive producer on Peter Ho's Hong Kong Godfather (1991) and as producer on Takkie Yeung's Bomb Lover (1995).

1989 《大男人小傳》 Big Man Little Affair

1984 《男女方程式》 The Little Cute Fellow

Lam Chi-yan directed two features in the early 1990s, The Good, the Bad and the Bandit (1991) and Something Incredible - Return of Devil (1992). He also worked as director at TVB and ATV, some of his television work including the series The Silver Tycoon (1993), Heroic Legend of the Yang's Family (1994), Justice Pao (1995) and A Better Future (1996).

1991 《忠奸盗》 The Good, the Bad and the Bandit
1992 《一千靈異夜之轉世邪靈》 Something Incredible - Return of Devil

1992 《五月櫻唇》 Behind the Pink Door
1992 《桃色香居》 Two for the Bed
1992 《93 女愛男歡》 A Woman and a Man '93

Ben Lam Kuen entered the film industry in the late 1970s, first working as production assistant and later as producer, contributing to such films as Kirk Wong's The Club (1981), a key work of the New Wave. He had directed two films, the comedy Crazy Nuts (1981) and the crime thriller The Turning Point (1983).

1981 《連環大鬥法》 Crazy Nuts
1983 《同線車》 The Turning Point

1999 《水滸傳之英雄好色》 Water Margin: Heroes' Sex Stories
2003 《新紮師姐之不安全地帶》 Danger Zero

David Lau Chun-ming worked as assistant director at TVB in the mid-1980s, participating in such shows as The Greed of Man (1992) and The File of Justice series (1992-1994). His most recent work is the television series Master of Destiny (2014), a Hong Kong-China co-production produced by Wong Jing. Lau had directed two films, both released in 1999.

1999 《最毒婦人心》 The Evil of a Woman Heart
1999 《垂死一眼》 Last Sight from Death

1986 《開心鬼精靈》(台灣片名:《人工呼吸》) Love Me Vampire

Lau Kwok-ho worked as assistant director at TVB in the early 1980s and was promoted to director in 1985, participating in such celebrated programs as The Legend of the Condor Heroes 1994 (1994), The Condor Heroes 95 (1995), State of Divinity (1996), The Demi-Gods and Semi-Devils 1996 (1997) and The Duke of the Mount Deer 1998 (1998), all belonging to the second round of Louis Cha adaptations by the channel. He went to work in China in 2000, his latest project the television series Miss Assassin (2013). He had directed one film, Never Say Regret (1990).

1990 《無悔行動》 Never Say Regret

1996 《危情追踪》 Yes Madam 5

1981 《綠印》 The Cold Blooded Murder
1995 《信有明天》 Hope
1999 《罪加一等》 Double Sin

1992 《放蛇》 Hot Connection

2004 《噩夢》 Unplugging Nightmare
2007 《一樓 1 鬼》 House of the Invisibles

1991 《聊齋金瓶梅》 Ghost Story of Kam Pin Mui

1987 《賣淫女經紀》 Female Brookers

1992 《千火玫瑰》(台灣片名:《紅旗軍妓》) Caged Beauties

1992 《午夜情人》 Midnight Lover
1992 《灣仔超級鴨男》(台灣片名:《情慾城市》) Super Gigolo

May Lee Yan-yi was an actress at TVB in the 1970s, appearing in such shows as Patrick Tam's Seven Women (1976). She later joined RTHK, directing programs such as Police Drama: Triad Society (1979), Crossroads: Woman at 33 (1983) and Below the Lion Rock: Flowers in the Rain (1984). She directed the feature The Story of Haybo in 1988, based on a novel by Isabelle Ni.

1988 《喜寶》 The Story of Haybo

1991 《猛鬼狐貍精》(臺灣片名:《末代天師》) Return of the Evil Fox
1993 《特異女朋友》 Wonder Girlfriend
1994 《新俏郎君》(臺灣片名:《時辰到》) Switch-Over

1991 《香港豪放女學生》 High School Student

Li Yuk-chun had worked in many capacities in the film industry, including assistant directing, producing and art design. She had penned several scripts, including Big Man Little Affair (1989) and Hanky Panky (1999), the latter she also directed, second of three films she helmed.

1998 《魑魅魍魎》 Nightmare Zone
1999 《陰差陽錯》 Hanky Panky
2000 《慾望號列車》Desirous Express

Lin Chi-fun worked as director at TVB in the 1980s, participating in such renowned shows as Looking Back in Anger (1988) and The Greed of Man (1992). He then went to ATV, first as director and later as producer, his work there include Light of Million Hopes (2003), Hong Kong Criminal Files (2006) and Tales of Walled Village (2006).

1993 《人肉天婦羅》 Malevolent Male
1995 《再世情未了》 Passions Across Two Lifetimes

Jimmy Lin entered the film industry in the 1990s as martial arts performer and actor, later becoming action choreographer. He had directed three action films in the early 2000s. .

2001 《特工神諜》 Spy Gear
2001 《武神黑俠》(內地片名:《黑俠傳説》) Shadow Mask
2002 《火線生死戀》 Final Edge

1992 《艷鬼追魂》 A Sex Ghost Story

1980 《鬼域》 The Gate of Hell
1983 《車魂》 The Accident

1995 《殺姦 O 娘》 The Raping Murderer

Lucas Lowe worked at Shaw Brothers Studio in the 1980s, serving as continuity person and assistant director for the martial arts maestro Chang Cheh. Leaving Shaws, he worked as assistant director for New Wave director Alex Cheung. He made his directorial debut with the English-language film No Retreat, No Surrender 3 : Blood Brothers (1989), followed by two other English-language productions, The King of the Kickboxers (1990) and American Shaolin (1991). All three titles were produced by Seasonal Film and shot in the U.S. Lowe immigrated to Canada in 2000 and worked in film and television in North America.

1989《親兄弟》No Retreat, No Surrender 3: Blood Brothers 1990《至尊戰警》The King of the Kickboxers
1991 《美國少林》(內地片名:《花旗小和尚》)(台灣片名:《英雄會少林》) American Shaolin
2000 《黑暗日記》 Diaries of Darkness

Lu Cheng worked as cinematographer in the 1970s, lensing such films as The Good, the Bad and the Loser (1976) and Lost Souls (1980). He had directed one film A Haunted Romance (1985).

1985 《再世風流劫》 A Haunted Romance

Lui Shui-lun served as director at ATV during the 1980s, working on such series as The Rise and Fall of Qing Dynasty (1987). Switching to TVB in 1989, the series he directed include Everybody Loves Somebody (1989) and Brother's Keeper (2013). His latest work is Under the Veil (2014). Lui had also taken time to direct the features Tender Heart (1999) and Bloody Killer (2002).

1999 《愛滋初體驗》 Tender Heart
2002 《刑偵檔案之血謎殺》 Bloody Killer

1989 《警察也移民》 The Immigrant Policeman

1991 《香港娱樂圈醜聞》 ABC Scandal

Lung Sang, aka Willie Ho, entered the film industry in the 1970s as martial arts performaer and actor, later moving up to action choreographer. He had directed three films.

1994 《機密檔案之致命誘惑》 Rock on Fire
1997 《暴逆先鋒》 Special Action Force
2001 《戰龍》(聯合導演:胡偉成) Dragon the Master (Co-Director : Ray Woo)


Ma On started as continuity person and actor in the film industry in the 1970s, later working as producer. He is the director of three features.

1984 《魚魔女》 Daughter of Devil Fish
1991 《菩薩咒》 Heavenly Devil
1993 《色慾追魂》 The Flirting Ghost

Canon Man, also known as Men Yu-ting, is the director of the kung-fu films The Magnificent 3 (1980) and High Price (1980).

1980 《懲罰》 The Magnificent 3
1980 《有料到》 High Price

Ngan Lek served as assistant director at Shaw Brothers in the 1970s, working with Sun Chung on several projects. He later worked on a couple of films by New Wave director Lau Shing-hon, as production coordinator on House of the Lute (1979) and as assistant director on The Head Hunter (1982). He directed two films in the late 1970s, The Gambler (1977) and Illusions Come True (1979).

1977 《串女與人渣》 The Gambler
1979 《鬼才龍虎榜》(台灣片名:《耍花招》) Illusions Come True

Gilbert Po Ka-tsun, director of the horror thriller Obsession (1993), once served as assistant director for Lee Lik-chee. He later switched to making commercials and his work had won the Bronze prize at Taiwan's Times Awards in 2003.

1993 《妒火焚情》 Obsession

Shao Hao worked as production assistant in the 1960s and as assistant director for martial arts master Chang Cheh at Shaw Brothers. He later directed two films in the 1980s, the action film The Gambler and His Kung Fu Master (1981) and the horror flick The Horrified Dream (1984).

1981 《龍虎雙刁》 The Gambler and His Kung Fu Master
1984 《兇夢驚魂》 The Horrified Dream

Siu Bong, whose real name is Tang Chi-kit, used to be an editor at Film Biweekly (now City Entertainment), a landmark film publication in Hong Kong. He later entered television, serving as director at ATV and TVB. He had also made television dramas for the Singapore Broadcasting Corporation, on such series as Five Foot Way (1987), The Last Swordsman (1991) and Longing (1997). He directed the erotic biopic The Legend of an Erotic Movie Star (1993) and served as executive director on Best of Best (1994).

1993 《北妹皇后》 The Legend of an Erotic Movie Star
1994 《摩登龍爭虎鬥》 Best of Best

1980 《按摩女郎》 The Massage Girl
1980 《性花朵朵開》 Sex Flowers
1981 《春中春》 Sex in Sex
1981 《香港小樓春》 Spring in Hong Kong

1979 《梁山怪招》(又名:《野鵝烏龍招》) Shaolin Tough Kid (aka: Goose Boxer)

Tam Yui-ming had worked at TVB as director, on The Bund (1980), The Demi-Gods & Semi-Devils II (1982) and The Return of the Condor Heroes (1983), among others. His latest work is the China-Hong Kong co-production The Virtuous Queen of Han (2014). He directed five films in the 1990s, covering different genres.

1986 《飛躍羚羊》(聯合導演:鄭則士、司徒立光) United We Stand (Co-Directors : Kent Cheng, Szeto Lap-kwong)
1990 《千王家族》 The Family of Swindler King
1993 《末路驚情》 Hitman Blues
1994 《誰可相依》 Who's My Father?
1996 《金瓶梅》 Jin Ping Mei
1996 《戇男三十九》 Bachelor Men

After graduating from secondary school in 1988, Tony Tang Tung-ming learned computer 3D animation at an advertising company and established his own advertising firm in 1992. He formed Imagi Animation Studios in 1998 to produce advertising animation and later served as the company's COO before it was bought by Boto International Holdings. After producing the 26-chapter animation series Zentrix in 2002, he left the company in 2005. Tang later formed T-films in 2007, investing $70 million to make the 3D animation Little Gobie (2010), with which he made his directorial debut. After directing the live-action beach volleyball film Beach Spike (2011), he made the English-language animation Sky Force 3D (2012). His latest work is the American animation film Wings: Sky Force Heroes (2014).

2010 《反斗高比玩轉聖誕城3D》 Little Gobie
2011 《熱浪球愛戰》 Beach Spike
2012 《天空戰隊》 Sky Force 3D

1986 《淑女也瘋狂》 Only for You

1993 《情劫》 Quenchless Desire

1996 《古惑奇兵之兵行險着》(又名:《少林寺十八銅人》) 18 Shaolin Golden Boys

1999 《上帝之手》 Heaven of the Hope

1989 《我在江湖》 Fight to Survive

1980 《有着數》 Advantage Berfaedah

1993 《慾焰狂情》 Flame of Desire
1993 《唐朝禁宮風月》 The Story of Tong Queen
1993 《雪肌夜叉》 Liu Chai Ghost Story

1982 《發條蘋果》 The Black Sheep

1978 《黑幕》(聯合導演:黃文) Black Society (Co-Director : Wong Man)
1979 《出貓》 Short Cuts
1980 《踢竇》(臺灣片名:《黑幫風雲》) Duel of the Brave Ones
1983 《四狼》(臺灣片名:《為愛拼生命》) Four Wolves

2000 《黑血》 Black Blood

1998 《心思思》(聯合導演:胡英健) B For Boy (Co-Director : Andrew Wu)
1999 《網上怪談之凶靈對話》 I. C. Kill
2006 《反斗狂奔》 Midnight Running

1991 《香港三級模特兒》 High Class Model

Wong Ka-hung worked as action choreographer and actor in the 1970s. He had directed one film, Daring Kung Fu Refugee (1984).

1984 《傻探出更》(台灣片名:《烏龍探長寶一對》) Daring Kung Fu Refugee

1992 《香港性愛住家菜》 Run for Freedom

1992 《性奴》(聯合導演:田真) Devil's Love (Co-Director : Tin Chun)
1993 《現代情慾篇之換妻檔案》 A Wild Party

Wong Siu-chun worked in the 1990s as producer and his projects included Triad story (1990), directed by Shum Wai, Bullet for Hire (1991), directed by Yuen Chun-man, and Deadly illusion (1998), directed by Tommy Lu Chun- ku. Wong made his directorial debut with the crime thriller The Super Gang (1984), doubling also as scriptwriter. He followed with the sophomore effort Armageddon (1989), which he also scripted, and several action films in the 1990s.

1984 《反碗底》(台灣片名:《引狼入室》) The Super Gang
1989 《城市判官》 Armageddon
1991 《福星威龍》 Lucky Dragon
1992 《風塵十三姨》 Bloody Revenge
1998 《特務女羅剎》 Dark Tide

1992 《風情萬種野玫瑰》(台灣片名:《不甘寂寞的女人》) The Widow
1992 《1992女性寶鑒》(台灣片名:《一九九二新女性寶鑑》) Sex of Female
1993 《風流一夜情》 One Night Stand

1991 《天使風雲》 The Angels
1992 《快樂按摩女郎》 The Happy Massage Girls
1993 《魔性之女驚天桃色劫》 Love Chaser
1993 《夜挑情》 Hot Desire
1993 《情陷珠江橋》 See You Next Time
1995 《另類北斗星》 Twinkling Star
1998 《生死邊緣》 Edge of Death
2000 《夜鶯呼叫》 Cry No More
2002 《麻辣神探》 Spice Cop (a.k.a. Hot & Spice)
2002 《一本未完的漫畫》 Fatal Comic
2003 《拳王》 The Invincible

1998 《心思思》(聯合導演:黃頌寧) B For Boy (Co-Director : Mihiel Wong)
1999 《串燒三兄弟》 The Three Brothers

1989 《香港第一殺手》 Hit Man Kill
1992 《極度獵殺》 Top Target
1993 《黑街血男》 A Dancing Boy in Underworld Street
1994 《赤裸狂花》 Naked Rose
1994 《閹夫奇寒之情劫》 Possessed
1997 《省港第一殺手》 The First Professional Killer
1997 《金牌大探長》 Inspector of King

1985 《偷情》 Rocky's Love Affairs
1986 《禁果情花》 Searching For Love

1992 《愛人》 Amour

Yu Mang-san worked as production assistant at Rediffusion (now ATV) in the late 1970s, moving on to director in 1982. In 1994, he directed the television series Brother Destined (1994) for Taiwan's Broadcasting Development Foundation and won Best Director at the Golden Bell Awards. Since 2000, he had worked in Mainland China directing television dramas, making such series as Torn Between Two Lovers (2007) and Arrows on the Bowstring (2012). His latest works are Extremely Urgent (2014) and The Virtuous Queen of Han (2014). Yu had directed two films in the 1990s, the martial arts film Zen of Sword (1992) and the action thriller Where's My Gun (1996).

1992 《俠女傳奇》 Zen of Sword
1996 《失鎗 48 小時》 Where's My Gun?

Paul Yuen Sue-wai worked as production assistant at TVB in the late 1980s, moving on to director at ATV in the 1990s. He then went to Singapore to direct television dramas, winning the Star Awards for the series Out to Win (1999). He is now senior producer at Media Corporation of Singapore and his latest project is Against the Tide (2014). He branched out to directing feature films in the 1990s, making his debut with the action film Stuntmen (1992), followed by three other features.

1992 《特技情緣》 Stuntmen
1996 《魂斷四面佛》 Life on the Line
2000 《以眼還眼》 An Eye for an Eye
2000 《特技情緣》 A Fatal Act of Love

Peter Yuen Ying-ming worked as production assistant at TVB in the early 1980s, moving on to director in 1985, working on such series as Looking Back in Anger (1989) and The Greed of Man (1992) as well as The Legend of the Condor Heroes 1994 (1994), The Condor Heroes 95 (1995), State of Divinity (1996) and The Demi-Gods and Semi-Devils 1996 (1997), the last four second- round adaptations of Louis Cha novels by TVB. in 2000, he went to Mainland China to direct television dramas, making such series as Legendary Fighter - Yang's Heroine (2001), The Legend of Lu Xiaofeng (2007), Clan Feuds (2007) and Rose Under the Gun (2011). He made occasional forays into film, directing the kung-fu comedy Shaolin Kung Fu Kids (1994) and the martial arts film The Legend of Deer County (2010), the latter a Mainland Chinese production.

1994 《笑林老袓》(台灣片名:《少林好小子》) Shaolin Kung Fu Kids
2010 《鹿鎮傳奇》 The Legend of Deer County


  1. The director must possess a Hong Kong Permanent Identity Card;
  2. The director must have directed independently at least one feature-length film, documentary or animation work, which had been shown in Hong Kong for no less than five screenings;
  3. Films that were co-directed with another director count as half a work. Films co-directed by more than 2 directors do not count;
  4. Those serving as executive directors or action directors are not listed as directors. Works completed while serving as executive director or action director are not included in directors’ filmographies;
  5. Works completed in low-resolution video formats are not included even if they had been released.